By Misha Appeltova, Zach Nacev, and Gregory Valdespino
We stopped in front of a painting portraying a group of villagers by a river. “What do you see?” asked Elsie Hector Hernandez, owner and director of the Haitian American Museum of Chicago (HAMOC). One of us answered that there were villagers doing laundry, washing themselves, collecting water for households, getting their animals to drink. There were no roads, no cars, no concrete buildings. Traditional Haitian culture centered around a river? Lack of infrastructure due to the poverty of a state caused by international and domestic politics?