Amina Hassan is an author and adjunct faculty member at California State University, Northridge, and has been an AHA member since May 2005.
One of President Obama’s last act while in office was to designate a national monument to Reconstruction in Beaufort, South Carolina. The AHA supported this important expansion of the National Park Service system with a letter to the US Secretary of the Interior on November 16, 2016. AHA Today spoke to historians Greg Downs and Kate Masur, whose advocacy was crucial to this effort, about the significance of the designation, the backstory of the monument’s creation, and next steps.
By Ibram X. Kendi
This year marks the 150th anniversary of the Civil Rights Act of 1866. I must ask: should we be celebrating or lamenting the sesquicentennial of this inaugural civil rights act?
Rachel Snyder, Sarah Tran, Scott Saunders, and Jay Pandya
In summer 2015, a project team of eight students from Virginia Tech, the University of Virginia, and George Mason University collaborated to explore the history of tuberculosis in the United States, using newspaper obituaries and census data. The project, funded by 4Va, a consortium of Virginia research universities,will be explored in two AHA Today blog postings that’ll explain this research experience from the perspective of the students. In July, the National History Center and Woodrow Wilson Center co-sponsored a research forum showcasing the students’ research. More information about the project is available at http://ethomasewing.org/tbhistory/.
This is the final post in a series by Erin Holmes, one of this year’s AHA Today blog contest winners. Her posts “read” buildings and plantation landscapes across Virginia, South Carolina, and Barbados as historical documents. Previous Posts include: Visiting the Past and the Places in Between: Buildings and Landscapes as Historical Documents, Change over Time Written in the Historic Architecture of Barbados, and The Other Drayton Hall: South Carolina Plantation Architecture in the Documentary Record.
By Eric Fitzsimmons and Sarah E. Elia
In 1945, Augusta Savage, a sculptor and a key figure in the Harlem Renaissance, traded the hustle of Harlem for a secluded house, 100 miles north, tucked at the end of a dirt drive in Saugerties, New York. For a long time, her story was said to end there in a retreat from society and the Harlem art world—a narrative that ignored her ongoing work and active social life in her adopted town.
By Adam Green
“Do everything!” That was the exhortation from Nell Painter that closed the Future of the African American Past conference, jointly sponsored by the National Museum of African American History and Culture (NMAAHC) and the American Historical Association, with support from HISTORYTM and the National Endowment for the Humanities. And, if the breadth and the depth of the preceding conversation was any indication, the current generation of scholars and curators seem up to Painter’s challenge.