By Lauren Tilton
It can be challenging to teach about the civil rights movement. For many reasons, from time constraints to lack of access to archives, the liberation struggle is often framed through its most prominent leader, Martin Luther King Jr. Now, thanks to a partnership between Duke University and the SNCC Legacy Project, an organization comprised of SNCC participants, teachers have access to the SNCC Digital Gateway.
Amina Hassan is an author and adjunct faculty member at California State University, Northridge, and has been an AHA member since May 2005.
One of President Obama’s last act while in office was to designate a national monument to Reconstruction in Beaufort, South Carolina. The AHA supported this important expansion of the National Park Service system with a letter to the US Secretary of the Interior on November 16, 2016. AHA Today spoke to historians Greg Downs and Kate Masur, whose advocacy was crucial to this effort, about the significance of the designation, the backstory of the monument’s creation, and next steps.
By Ibram X. Kendi
This year marks the 150th anniversary of the Civil Rights Act of 1866. I must ask: should we be celebrating or lamenting the sesquicentennial of this inaugural civil rights act?
Rachel Snyder, Sarah Tran, Scott Saunders, and Jay Pandya
In summer 2015, a project team of eight students from Virginia Tech, the University of Virginia, and George Mason University collaborated to explore the history of tuberculosis in the United States, using newspaper obituaries and census data. The project, funded by 4Va, a consortium of Virginia research universities,will be explored in two AHA Today blog postings that’ll explain this research experience from the perspective of the students. In July, the National History Center and Woodrow Wilson Center co-sponsored a research forum showcasing the students’ research. More information about the project is available at http://ethomasewing.org/tbhistory/.
By Eric Fitzsimmons and Sarah E. Elia
In 1945, Augusta Savage, a sculptor and a key figure in the Harlem Renaissance, traded the hustle of Harlem for a secluded house, 100 miles north, tucked at the end of a dirt drive in Saugerties, New York. For a long time, her story was said to end there in a retreat from society and the Harlem art world—a narrative that ignored her ongoing work and active social life in her adopted town.