By Eric Fitzsimmons and Sarah E. Elia
In 1945, Augusta Savage, a sculptor and a key figure in the Harlem Renaissance, traded the hustle of Harlem for a secluded house, 100 miles north, tucked at the end of a dirt drive in Saugerties, New York. For a long time, her story was said to end there in a retreat from society and the Harlem art world—a narrative that ignored her ongoing work and active social life in her adopted town.
By Adam Green
“Do everything!” That was the exhortation from Nell Painter that closed the Future of the African American Past conference, jointly sponsored by the National Museum of African American History and Culture (NMAAHC) and the American Historical Association, with support from HISTORYTM and the National Endowment for the Humanities. And, if the breadth and the depth of the preceding conversation was any indication, the current generation of scholars and curators seem up to Painter’s challenge.
By Adam Rothman
Many universities in the United States are reckoning with their own involvement in the history of American slavery. What can historians contribute? It may seem counterintuitive to ask what historians can bring to the discussion of what seems to be an essentially historical problem, but the answer is not obvious because it depends on the tricky relationship between the past and the present.
“I grew up reading about you,” historian Clayborne Carson told Terrence Roberts, one of the nine Arkansas teenagers who faced down racist mobs to integrate Little Rock Central High School in 1957. The two sat beside each other onstage before a packed audience at the National Museum of the American Indian, there to witness the opening roundtable for “The Future of the African American Past”—a historic conference inaugurating the Smithsonian Institution’s National Museum of African American History and Culture, soon to open on the National Mall.
By Justene G. Hill
Over the past few years, several movies and television shows have delved into the history of slavery in the United States. From the dramatic (12 Years a Slave and Django Unchained) to the comedic (Key & Peele), slavery has been re-introduced as a theme in American popular culture. In January 2015, NBC announced that it would air an eight-hour miniseries called Freedom Run, based on Betty DeRamus’ 2005 book Forbidden Fruit: Love Stories from the Underground Railroad.
By Joan Quigley
Black Lives Matter, the protest movement launched by three African American women, has ignited a search for new role models. One Black Lives Matter co-founder, Patrisse Cullors, has cited the influence of Harriet Tubman; another co-founder, Alicia Garza, has invoked Sojourner Truth. And, as Jelani Cobb wrote recently in the New Yorker, Black Lives Matter has reclaimed a grassroots activist, Ella Baker, whose career included stints with the Southern Christian Leadership Conference and the Student Nonviolent Coordinating Committee.
The Institute for Constitutional History is pleased to announce a summer workshop for college instructors to be held July 10–15 in Stanford, California: “The Reconstruction Amendments: Freedom, Equality, and the American Constitution.”
By Leif Fredrickson
In 1932, a young girl showed up at the Johns Hopkins Hospital with dire symptoms suggesting lead poisoning. A physician who went to the girl’s home to locate the source initially suspected lead paint, but couldn’t find any. When a neighbor suggested that the source could be the battery casings that families in the neighborhood were burning for fuel and warmth, the physician tested them and found that they were saturated with lead. In the months following the discovery of that first case of lead poisoning, dozens more children showed up in Baltimore and other cities’ hospitals with similar symptoms.