By Eric Fitzsimmons and Sarah E. Elia
In 1945, Augusta Savage, a sculptor and a key figure in the Harlem Renaissance, traded the hustle of Harlem for a secluded house, 100 miles north, tucked at the end of a dirt drive in Saugerties, New York. For a long time, her story was said to end there in a retreat from society and the Harlem art world—a narrative that ignored her ongoing work and active social life in her adopted town.
Typical historical research is not sweaty business. In fact, as I began this, I was shivering in the reading room of the Barbados National Archives—an airy, light-filled space inside a 19th-century leper hospital with gorgeous pine floors stained the color of Barbadian mahogany. In contrast to days spent in the archives, fieldwork can come with heat, humidity, and lots of dirt depending on the site. Visiting a manicured historical site that has to conform to visitor expectations about accessibility, for example, is generally less hot, humid, or dirty, whereas pulling off the road to climb around a derelict building can evoke one’s inner Indiana Jones.
As Shatha Almutawa reports in the September issue of Perspectives on History, a humble French farmer’s 1830s discovery of a trove of Roman silver artifacts has been carefully restored by conservators at the Getty Villa. Here, art conservator Susan Lansing Maish takes us behind the scenes of efforts to restore and interpret this priceless treasure.
A 16th-century Mughal miniature will likely be sold for 8,000–10,000 British pounds at Christie’s Islamic art auction on October 8. In a phone interview, Andrew Butler-Wheelhouse, specialist in Islamic and Indian art at Christie’s King Street, described this unique miniature
Just a block and a half from the Dupont Circle Metro station in Washington, DC, the Phillips Collection is a favorite among many Washingtonians, a small treasure in a city of many museums and tourists in matching T-shirts.
In 1889, Chicago businessman Clarence Buckingham inherited a third of his father’s fortune.
Throughout Christian history, the Virgin Mary has been depicted as a young mother nurturing her child, and as an older mother mourning her son. Both depictions of Mary have been made to revere her in different parts of the world,
On September 24, the Smithsonian American Art Museum hosted a symposium entitled The Art of Tom Lea: Preserving Our National Heritage.