By Max Kemman
Politicians’ emails provide historians an exciting window into the fast-paced, formal and informal, and sometimes chaotic world of politics. The sheer number of emails, however, can prove challenging for historians, as archives routinely contain tens of thousands of messages with different recipients. Researchers need months or even years to study such a large number of records, but I give my students only 14 weeks to study over 30,000 emails. They are able to accomplish this feat by employing Voyant Tools.
By Julia M. Gossard
“Never underestimate the ‘hangry.’” This might as well be one of the learning objectives in my Foundations of Western Civilization course at Utah State University. Whether the bread riots of the 1790s in France, the “Hungry 1840s,” or the starvation of Russian citizens after the conclusion of World War II, food (and access to it) has continued to be a mobilizing factor in history. By examining what people ate and how they ate at different points in time, we can know a lot about a particular era’s economic conditions, social mores, political conflicts, religious issues, and nutrition.
By Susan Corbesero
About a half hour into tagging frontline records in the Operation War Diary project, the room of high school sophomores erupted. “Rats! These trenches are filled with them.” “That’s not so bad; the officer here is talking about trench foot.” “It looks like 95 soldiers died on just this one day!” “My battalion doesn’t seem to move anywhere.” “Oh no! This unit is heading to Ypres.” As an educator, I could not have found the moment more gratifying.
“Dr. Rosinbum, come over here! We’ve got to show you this.” When I walked over, a group of students excitedly showed me a digitized copy of the December 10, 1884, edition of the Daily Morning Astorian. At the bottom of one of its two columns dedicated to news, and immediately following a reprinted travelogue of the Acoma Pueblo, the paper breathlessly reported a new spate of attacks on clergymen. The article, titled “Trial for Heresy,” stated that “(w)hen Old Satan wants to upset a minister’s usefulness he attacks him with a fit of dyspepsia.
By Julia M Gossard
While lecturing on Magellan’s famed voyage that circumnavigated the early modern world, I asked the student who had chosen to trace the voyage on a map if she had any further insights. Somewhat surprisingly she retorted, “Not historically, but it did take me a really long time to draw that line representing Magellan’s voyage. I can’t imagine having actually done it in the 16th century.” Her comment opened up an engaging (unplanned) discussion about the realities of sea travel, culture shock, and geography in the early modern world.
By Lindsey Passenger Wieck
The most common way we interact with maps today is through apps and platforms like Google Maps. However, it is easy to forget that like anyone creating a document, map creators make practical and aesthetic decisions about what maps do and how they look. Helping students become critical consumers of maps and media was a crucial component of a class I taught on the history of San Francisco.
Since first publishing in August 2016, Teaching w/ #DigHist has offered a range of teaching tools to instructors interested in using digital history in the classroom. In particular, the series has highlighted how teaching with #dighist can provide new ways to present classroom content and develop transferable skills like critical thinking and data literacy. As the new school year begins, we encourage K–12 and higher education faculty to browse through our resources and to see how they could teach w/ #dighist this year.
Years ago, while preparing for a lecture, I ran across a GIF depicting the territorial expansion of the United States. While I am unsure of its origins, I’ve seen similar maps in textbooks, Wikipedia articles, and Google images. The GIF—a simple rotating set of maps of the contiguous 48 states—swiftly changes color as the United States expands its territorial claims throughout the 19th century. Behind this series of images lies tremendous suffering; the projection of one on top of the other makes this effect especially jarring.